Reviews
-
Reviews "Bully" doesn’t feel like a comeback. It feels like Kanye West is reminding the world he still knows the tricks while avoiding the vulnerability and ambition that once made his music impossible to ignore.
By
Aron A. -
Reviews Ten years on, "Graduation" stands as Kanye's first major stylistic shift, as well as his most ill-advised.
By
Patrick Lyons -
Reviews PartyNextDoor elevates his strain of R&B through intimate and vulnerable songwriting on "P4."
By
Aron A. -
Reviews Out of Benito Antonio Martínez Ocasio's many tours and hometown shows, this performance at El Choli was one of his most well-structured, impressive, and heartfelt to date.
By
Gabriel Bras Nevares -
Reviews "I'm back motherf*cker!"
By
Caroline Fisher -
Reviews Baby Keem’s sophomore album peels back layers of personal trauma and family history, while finding cohesion and pop potential across a stylistically varied but emotionally focused project.
By
Aron A. -
Reviews Lil Wayne is trying to keep up when both the industry and the genre are moving on without him—and the result is a confusing album caught between eras, audiences, and expectations.
By
Aron A. -
Reviews Ideally, a final statement should leave fans eager for a return, a body of work that commands reflection and conversation. Here, Cole offers a snapshot of craftsmanship at a high point, a reckoning with his own mythos, and a testament to the fact that even the most dependable voices in rap can surprise, falter, and reflect at once.
By
Aron A. -
Reviews With appearances from Kendrick Lamar, Future, and Travis Scott, "MUSIC" reaffirms Playboi Carti as both a pioneer and provocateur in hip-hop.
By
Aron A. -
Reviews Nas’s enduring lyrical skill shines over DJ Premier’s production in a way that serves as a fitting conclusion to the Legend Has It series.
By
Aron A. -
Reviews This microcosm of the original album's greatest strengths is a testament to SZA's consistency and her artistic north stars.
By
Gabriel Bras Nevares -
Reviews It says it right there on the box, and this uncompromising Future release doesn't need to change who "MIXTAPE PLUTO" is.
By
Gabriel Bras Nevares -
Reviews "Infinite" is a proper send-off for Mobb Deep. Eight years after Prodigy’s death, Havoc recreates their familiar universe, honoring posthumous verses while showcasing his own evolution alongside The Alchemist.
By
Aron A. -
Reviews "Final" albums rarely feel as gratifying as their circumstances suggest, but Abel Tesfaye carries that weight with so much focus and detail.
By
Gabriel Bras Nevares -
Reviews Don’t Be Dumb doesn’t redefine A$AP Rocky, which is what many artists attempt after a decade-long hiatus. Instead, it finds him comfortable within his wheelhouse, reaffirming his ear for production, his eye for talent, and a sense of taste that resists easy categorization.
By
Aron A. -
Reviews Donald Glover's last album as Childish Gambino is a bold but worthy farewell to the moniker.
By
Devin Morton -
Reviews PartyNextDoor's ran through a decade-plus-spanning set on the "Sorry I'm Outside" tour that delved into deep cuts, reference tracks & "P4" hits.
By
Aron A. -
Reviews Ice Spice's debut album is one of the most vapid hip-hop releases of 2024.
By
Devin Morton -
Reviews This is a step forward for Destroy Lonely's artistry, but it's not the leap in quality and approach that most fans expect at this point.
By
Gabriel Bras Nevares -
Reviews "Kiari" finds Offset asserting his personal and artistic identity through standout street bangers and poignant introspection, even as familiar tropes and uneven moments hold the project back.
By
Aron A. -
Reviews Kevin Gates endured because his audience valued emotional honesty over moral cleanliness, and "Islah" is the clearest proof of that.
By
Aron A.